此系列作品以與低限藝術家們的作品對話為構想起點，呈現觀看時，人們因著角度的不同而有相異的理解與價值判斷。

 

每組作品由同一雕塑產生靈感，再以新的方式解讀與詮釋完成兩件樣貌相似，但所代表的價值可能天差地遠的平面作品；如我們在看待一件事物時，往往人們只相信自己認為的，也許都沒有錯，也許也都錯，並無法看件整個立體的全貌。”Seeing is not really believing.”

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在創作手法上以陰性的刺繡手法對照大部分低限藝術家們巨大、冷靜並且陽剛的創作方式，同時也探討這樣的「工藝」手法作為藝術的可能。

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The idea and concept of this series of works comes from my internal dialogues with minimalist artists when I interpret their works. It represents that people have different understandings and perspectives when looking at an abstract work.

Each group of work is inspired by the same sculpture. I interpret each of them into two pieces that differ in appearance and have two totally opposite values. When we look at something, we tend to believe in what we believe - it may be right, it may also be wrong. There is no objectively correct answer, because it is impossible for us to see the whole view. Thus, "Seeing is not really believing."

Regarding medium and technique, I prefer embroidery because it feels more feminine and delicate compared to the often obtrusive and masculine character of many minimalist works. Also, embroidery incorporates the possibility of "craft" as an additional layer to my artistic approach.