直線對我而言象徵一種完美與不自由，因為它不能容許有任何的歪曲、扭曲，意味著一定需要工具的輔助，而不能徒手繪製。

 

每一段直線在穩定的節奏形成了一種「練習」，練習的重點是緩慢和專注的步調，以及有條理的方式凍結每個瞬間。

 

但在這系列作品裡，尺寸雖然不大卻皆是在非連續的時間裡完成的，我試圖把時間連結空間，因此運用原本該是完美的直線，反而製造出視覺上破碎、斷裂的感覺，凸顯出我們重複不斷的所追求的某種完美卻經常因為其他未知因素而有所變形。這些在紙上留下的線條，在某段時間裡形成了一個事件，形成不同的風景。

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For me, a straight line symbolizes perfection and unfreedom, because it cannot tolerate any distortion which means that it must be made with tools and cannot be drawn by freehand. Each straight line becomes a kind of "practice" in a stable rhythm. Slow pace and concentrated mind are needed for this practice, to frozen each moment. In this series of works, the size is not large, but they are all completed in discontinuous time. I tried to connect time and space, therefore I used straight lines that should have been perfect, yet created a visually broken and fractured spaces. It represents that a certain perfection we repeatedly pursue is often distorted due to other unknown factors. These lines left on papers become an event in a certain period of time, transform to mental landscapes.